The Stolen Painting
⭐ ⭐ ⭐ 1/2 (out of 5 stars)
The art world is one of the most emotive and mysterious atmospheres as one begins to dig into the history of the works that are designated as masterpieces. Legend, intrigue, and family secrets encompass this fascinating business that has had collectors at the centre of some of the greatest backroom deals of the past. The Stolen Painting is based on real-world events that involved familial events leading up to World War II, which was a mystery that was eventually solved in the Alsatian city of Mulhouse decades later.
André Masson (Alex Lutz) has made a name in this snobbish realm of artwork as an art appraiser at prestigious, high-end auction house Scottie's. Despite being despised by most who come in contact with his work, the successful businessman is respected by his employers and clients for his abilities. One day, he receives a letter from a lawyer stating that her client has discovered a painting by Egon Schiele. Despite their professional scepticism, André and his ex-partner, Bettina (Léa Drucker), head to the home of a young factory worker who discovered the painting in his house. Once they see the painting, the art dealers do all they can to reintroduce the world to this lost treasure.
Celebrated writer/director Pascal Bonitzer has managed to find a rare French gem in this story that is inspirational and comedic. His cast of characters all bring a humanity to this realm that tends to be left to the elite and wealthy. Despite their flaws, each level of society is allowed to put a fresh coat of paint on their lives and relationships. Lutz and Drucker carry the film while Louise Chevillotte, the habitual liar and divisive intern Aurore, gives this story the layers it needs to draw the viewer into this comedic work of art. The Stolen Painting is worth discovering, basking in for a time and like the response from all who looked upon Egon Schiele's work, it will captivate the soul and have you leaving the cinema smiling.
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REEL DIALOGUE: What is wrong with a little lie?
"Lies beget more lies: once you start lying you have to keep lying more and more to hide the lies that you already told."
You may be able to hear the words of your mother on the topic of lying. One lie can begin a chain of events that only come to a resolution when the truth comes out. Do not lie is not exclusive to the Bible. Still, it is a moral code that can save relationships, reputations and lives.
Aurore treats lying as if it is second nature and as if it has no consequences. A mixture of lies, grief and a need for acceptance would be enough for anyone to consider substance abuse and other self-destructive activities. What becomes evident in this familiar storyline is the value and relief of the truth. It may be complex and painful, but inevitably it does prove to be the best path for life and relationships.
